Rauschenberg - Signs of the Times

Robert Rauschenberg - Signs - 1970 - Screenprint Signed

Robert Rauschenberg’s“Signs” 1970, is one of the most sought after Rauschenberg screenprints because of the artwork’s incredible iconographic imagery and historical significance. "Signs" was originally commissioned by Time Magazine, with the intention that it would be used as the January edition cover for the year 1970. After considering the final composition, the executives at Time Magazine found the piece was more politically charged than they had hoped and decided against using it. It was felt that the composition, though stunning, was more of a recapitulation of the 1960’s than a welcome to the new decade.

After the dismissal by Time Magazine, Robert Rauschenberg’s trusted dealer Leo Castelli convinced him to print a limited edition screenprint of “Signs”. The edition was published by Leo Castelli in New York in an edition of 250; each signed, dated ‘70’, and numbered in pencil.

“Signs” is an astounding collage encompassing the monumental events and people of 1960’s America. Rauschenberg masterfully juxtaposes scenes of innovation like the moon landing with the destructive violence of the war in Vietnam and the civil rights movement. The revolutionary nature of the era is pronounced through the images of peace protestors at the top, whose rallies for change and peace are echoed by the voice of Janis Joplin deeply singing into her microphone. The iconic leaders of the era including JFK and his brother Bobbie Kennedy challenge the divisive violence of the wars and civil unrest, even as their forms and images transition into the faces of martyrs. The “Signs” of this transformative decade are woven seamlessly by Rauschenberg, and the screen print is known as one of his most important works of art.

Permanent Museum Collections:

Smithsonian Institute of Art
Museum of Modern Art New York (MOMA)
Madison Museum of Contemporary Art

National Gallery of Australia


DENIS BLOCH FINE ART is please to offer a number of original
signed prints by Robert Rauschenberg.

Click Here To View The Collection!

Francisco Toledo - Arte Grafica

Francisco Toledo, Nesting Birds, 2009

The Art of Francisco Toledo is deeply influenced by Toledo´s Mexican heritage. Many of Francisco Toledo´s artworks illustrate his Oaxacan roots, exemplified by Toledo´s paintings, sculptures, lithographs, etchings, and drawings of Mexican animals and scenery as well as Mexican History & Mythology.

Mexican artist, Francisco Toledo, was born in Oaxaca, Mexico in 1940. At the age of 12, Francisco Toledo learned the art of engraving at the Escuela de Bellas Artes de Oaxaca. Under the instruction of Guillermo Silva Santamaria at the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Francisco Toledo continued his studies of the graphic arts including: etching, lithography, and engraving.

Francisco Toledo, Sapos Con Frijoles, Etching

In 1959, Francisco Toledo had his first solo art exhibition in Mexico City at Galeria Antonio Souza. Soon after, Toledo traveled to Europe where he began to work at the shop of the renowned British printmaker Stanley William Hayter in Paris. In 1963 Francisco Toledo´s first International art exhibitions were held in Paris at the Galerie Karl Flinker and the Daniel Gervis Gallery. By 1965 Francisco Toledo had exhibited his art in Galleries in Switzerland, Germany, England, Norway and the U.S.A.

Francisco Toledo´s first prints exhibition entitled Toledo Obra Grafica was held in 1969 at the Galeria Juan Martin in Mexico City. As an art medium, graphics (original prints) particularly intrigued Toledo from early in his career because of the extraordinary range of effects available through printing and etching. Among Francisco Toledo´s notable graphic artworks, are Toledo´s series of illustrated art books on Mayan myths.

Francisco Toledo's unique artistic aesthetic is based on a fantastic reality that Toledo finds residing in nature and life. Anthropomorphized animals (that are not often associated with beauty, such as insects, toads, and bats) are often the center–point of Francisco Toledo´s original artworks. Always juxtaposing the beautiful (the grain of the paper beneath Francisco Toledo´s washes of watercolor, or how deep the chroma illuminating Toledo´s small gouaches) with the disturbing.

Francisco Toledo, Crabs & Dogs, Lithograph

Francisco Toledo´s social and cultural concerns about his native state led to his life–long participation in the cultural revitalization within the Mexican community. Francisco Toledo became integrally involved in the establishment of a number of cultural and art institutions including: the Casa de la Cultura in Juchitan 1972, the Instituto de Artes Graficas de Oaxaca (IAGO) 1989, Museo de Arte Contemporaneo de Oaxaca (MACO) 1992, Patronato pro Defensa y Conservacion del Patrimonio Cultural y Natural de Oaxaca (PROOAX) 1993, Centro de la Imagen Manuel Alvarez Bravo, the Biblioteca Jorge Luis Borges for the blind in Oaxaca and the Inaugurates Fonoteca Eduardo Mata in the Centro Fotografico Manuel Alvarez Bravo. Francisco Toledo has also received several accolades for his contributions to the Mexican community including, Mexican National Prize in 1998, the Prince Claus Award in 2000, and the Right Livelihood Award in 2005.

In 1980 the Museo de Arte Moderno in Mexico City held a retrospective of Francisco Toledo´s art. Francisco Toledo´s art is found in the permanent collection of major Art Museums across the globe. Francisco Toledo continues his artistic and humanitarian efforts from Oaxaca City, Mexico.

Select Museum & Institutional Collections:

Metropolitan Museum of Art, New York, NY
Museum of Modern Art, New York, NY
Museo de Arte Contemporaneo de Oaxaca, Oaxaca, Mexico
Museo Tamayo, Mexico City, Mexico
Santa Barbara Museum of Art, Santa Barbara, CA
Fundacion Proa, Buenos Aires, Argentina
Museum of Latin American Art, Long Beach, CA

Developing the Abstract - Frank Stella Biography

Frank Stella - Cantahar - 1998

American Abstract Artist Frank Stella was born in Malden, MA in 1936. Frank Stella is a highly regarded and collected Abstract artist known for his large–scale freestanding sculptures, architectural structures, and the most complex original prints ever realized in the medium of printmaking.

 

Frank Stella began painting in his sophomore year of high school at the Philips Academy in Andover, MA. Stella continued taking fine art courses at Princeton University, while majoring in history. While in school, Frank Stella visited numerous influential art exhibitions in the galleries of New York City. Frank Stella´s artistic development was directly shaped by the Abstract Expressionism of Jackson Pollock and Franz Kline, and in 1958 Stella moved to New York.  

Frank Stella - Untitled - 1967

Upon moving to New York City, Stella reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the "flatter" surfaces of Barnett Newman's art and the "Target" paintings by Jasper Johns. Stella gained early and immediate recognition in 1959 with his series of black pinstriped paintings that turned the gestural brushwork and existential angst of Abstract Expressionism on its head. Several of Frank Stella´s "black paintings" were included in major art exhibitions including: "Three Young Americans" at the Allen Memorial Museum at Oberlin College, and "Sixteen Americans" at the Museum of Modern Art (MOMA) in New York. The Black Paintings served as an important catalyst for Minimalist art of the 1960s.

In 1959 Frank Stella joined fine art dealer Leo Castelli´s gallery of artists, and in 1960 Stella began painting artworks in aluminum and copper paint as well. Stella´s art aesthetic steadily developed as he introduced a wider range of colors, typically arranged in straight or curved lines. Stella eventually created his paintings on shaped canvases (canvases in a shape other than the traditional rectangle or square), often being in L, N, U or T–shapes. In 1965 Frank Stella´s art was included in "The Shaped Canvas" at the Solomon R. Guggenheim Museum, and "Systemic Painting" of 1966. Stella´s shape canvases developed into more elaborate designs, in the Irregular Polygon series of 1967.


Frank Stella - Harran II - 1967

In 1971 Stella developed his Protractor Series, in which arcs, sometimes overlapping, within square borders are arranged side–by–side to produce full and half circles painted in rings of concentric color. These paintings are named after circular cities he had visited while in the Middle East. Frank Stella´s Irregular Polygon canvases and Protractor Series further extended the concept of the shaped canvas. The shaped canvases took on even less regular forms in the Eccentric Polygon series as elements of collage were introduced. Stella´s artwork became more three–dimensional to the point where he started producing large, free–standing metal wall sculptures. As the 1970s and 1980s progressed, these became more elaborate and exuberant, marked by curving forms, Day–Glo colors, and scrawled brushstrokes. From the mid–1980s to the mid–1990s, Stella created a large body of paintings, sculptures, and original prints that responded in a general way to Herman Melville´s Moby–Dick.




Frank Stella - Extracts - 1993

Starting in the mid–1960s Frank Stella launched his extended involvement with printmaking, working first with master printer Kenneth Tyler at Gemini G.E.L. Stella would continue to produce original prints for the duration of his artistic career, and in 1973 he had a print studio installed in his New York house. Frank Stella's abstract prints in lithography, screenprinting, etching and offset lithography had a strong impact upon printmaking as a fine art.



Frank Stella - Sanor - 1996

Additionally Frank Stella is heralded for his large free–standing sculptures for public spaces from the 1990´s including: the 10,000–square–foot mural for Toronto´s Princess of Wales Theatre; his 5,000–square–foot "Stella Project" which serves as the centerpiece of the theater and lobby of the Moores Opera House on the campus of the University of Houston, in Houston, TX; and Frank Stella´s monumental sculpture was installed outside the National Gallery of Art in Washington, D.C.

Frank Stella's virtually relentless experimentation has made him a key figure in American modernism, helping give rise to such developments as Minimalism, Post–Painterly Abstraction, and Color Field painting. In 2009 Frank Stella was awarded the National Medal of Arts by President Barack Obama, and in 2011 he was awarded the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center. Frank Stella continues to live and work in New York.

"A sculpture is just a painting cut out and stood up somewhere." – Frank Stella

Select Museum Collections:

Art Institute of Chicago
Guggenheim Museum, New York
Hirshhorn Museum and Sculpture Garden, DC
Museum of Fine Arts, Houston
Museum of Modern Art, New York
Norton Simon Museum, Pasadena
Whitney Museum of American Art, New York
San Francisco Museum of Modern Art
Fukuoka Art Museum, Japan
Museum of Contemporary Art, Los Angeles
Tate Gallery, London

Speedy Graphito - Technical Temptation

Speedy Graphito, City Love, Painting on Canvas

Street Art pioneer Speedy Graphito was born in Paris in 1961. Speedy Graphito began his art career in the 1980´s on the streets of Paris, creating dynamic paintings and street murals using spray paint and stencils.




Speedy Graphito, Toxic Game,
Screenprint Unique on Paper

Originally a graphic designer and art director, Speedy Graphito quickly established a distinct urban art style that incorporates schematic and charasmatic characters, cartoons and manga alongside contemporary commercial brands, logos, and iconic pop culture imagery. Speedy Graphito´s art is inspired by the virtual and physical urbanscape, but predominantly the barrage of advertising that dominates today´s consumer culture. Street Artist Speedy Graphito has become recognized and revered for his satirical exploration of commercialism, often turning a critical eye on our society through his pop graffiti art.

Speedy Graphito, Temptation,
Screenprint on Paper

Particularly influenced by the iconography of Disney characters and video games, street artist Speedy Graphito often turns a critical eye on our society, as his artworks feed off the collective memory of iconic imagery to create a new universal language. As an example, Speedy Graphito´s "Temptation 2011" features Disney´s Snow White enamored with the half–eaten logo of Macintosh Apple, creating a shrewd and satirical criticism of consumer seduction.

An astute representation of social communication in the internet era, Speedy Graphito's "Snow White" screenprint mirrors our media and technology dominant social intercourse. Our new social experience is saturated by both text and pictoral messages, echoing the layers of an inundated graffiti wall. The seduction is explicated beyond Snow White and the Apple Logo, but further distinguishes our mass enchantment with a technological world at our finger-tips - just a click away from satisfaction.  

Speedy Graphito, Money, Painting on Canvas

Speedy Graphito´s paintings, prints, and street art murals can be found worldwide. Already recognized in the international arena, Speedy Graphito´s Art is well known in France, England, USA, Belgium, India, Japan, Brazil, and Dubai, as well as major auction houses. Speedy Graphito has recently participated in a number of solo art exhibitions in Los Angeles Art Galleries, as well as exhibiting at the 2011 Miami Art Basel.

Denis Bloch Fine Art is pleased to offer original paintings, drawings, limited edition screenprints, and unique prints by Street Artist Speedy Graphito.